 |
Bruce
W. Cline |
||||||||||||||||||||||||||||||
| Bruce
W. Cline Professor Photography Telephone: 440.953.7218 Office: B-2033 |
. |
|
|||||||||||||||||||||||||||||
|
|
||||||||||||||||||||||||||||||
| February
7, 2001 Contact: Professor Bruce Cline, 440.953.7218 Photographs by Lakeland Community College Professor and Students Printed in National Publications Lakeland Community College photography professor Bruce Cline can be proud on two counts: both his work and the works of three of his students were published in national magazines in January. Photographs by Lakeland students Renee Martin, Lynne Netschke and Paula Rees were published in the January 2001 issue of American Photo On Campus. Professor Cline says, “Not only am I proud of my students, I’m also proud of the company they keep in this prestigious magazine. Their work is featured right along side the works of students from two other colleges, Alfred University and the Rhode Island School of Design, known as the Harvard of the art world.” Renee Martin, who also works as a lab assistant at Lakeland, created an image of an atmospheric diner, Annabelle’s in Mentor. Her photo was part of a series she created on the theme of food. Her other photos included pictures of a nursing mother and a pile of fish. Patience and luck were the keys to Lynne Netschke’s surreal photo of a crane lifting a massive truck over a beach pier in Myrtle Beach. Because Lynne carries her camera with her nearly everywhere she goes, she was prepared when she captured the unusual sight. Paula Rees works at seeing things differently and her wavy image of a marble staircase at the James Garfield monument captures the mood of the tomb. She told the magazine, “Photography gives you a way of looking at things that you can’t get with your eyes alone.” Professor Cline’s works were published in Polaroid International Photography Issue 20 in the Gallery. Three of his photographs were selected to be included in a gallery section with a “fine arts” theme. The magazine writes, “Each piece of work was chosen to show how artists and photographers have used the unique qualities of Polaroid films as an integral part of the creative process.” Using polacolor emulsion lifts; Cline created an eerie trio of amusement park rides. The very edges of each photo fall in and stretch against their subject matter, creating a moody artwork of a photograph. |
|||||||||||||||||||||||||||||||
| Links |
Academic
Credentials |
||||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||
Return
Home 
